Jim's Candlelight Dancing For more than 10 years I have held these mixed social dances. I alternate between Plymouth and Exeter, at large public halls. Ballroom, Sequence, Rock, Jive, Old Tyme, Barn and Mixers, all in one evening. My sound system is one of the best!Weekly Dance Classes. Dance Styles: Modern Sequence, Modern Ballroom, Latin American, Rock 'n' Roll, Classical Sequence, Swing Dance, Jive (Ballroom), Ballroom, Barn Dance, Mixed Social Dance. | |||
| ACollege of Further Education, Kings Road, Devonport, Plymouth, Devon, PL1 5QG All Entries for College of Further Education Venue. Large public hall. | |||
| Sat | Dance Class The dances are designed to be attractive to both singles and couples age 30+, and are well attended. The Plymouth event normally attracts from 80 to about 120 (in the smaller hall). | ||
| 20:00 - 23:30 | Dance Class Modern Sequence, Modern Ballroom, Latin American, Classical Sequence, Swing, Jive (Ballroom), Ballroom, Barn, Mixed Social Practice. Doors open 19:15.I floodlight the halls with 32 quartz halogen coloured floodlights and five mirror balls all controlled from the console. The emphasis is upon creating a party mood and the 'spotlight' is placed upon the dancers rather than the stage. | ||
| BSt. George's Hall, Market Street, Exeter, Devon, EX1 1BU All Entries for St. George's Hall Venue. Car Parks in: George Street, Smythen Street & Mary Arches Street. Bus Stops at: St George's Market, BHS Fore Street, South Street. | |||
| Sat | Dance Class The dances are designed to be attractive to both singles and couples age 30+, and are well attended. The Exeter events normally attract 140 to about 180 dancers. | ||
| 20:00 - 23:30 | Dance Class Modern Sequence, Modern Ballroom, Latin American, Classical Sequence, Swing, Jive (Ballroom), Ballroom, Barn, Mixed Social Practice. Doors open 19:15.I floodlight the halls with 32 quartz halogen coloured floodlights and five mirror balls all controlled from the console. The emphasis is upon creating a party mood and the 'spotlight' is placed upon the dancers rather than the stage. | ||